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Summer 2006 Programme


Overture Candide

Leonard Bernstein
(1918 -  1990)

Leonard Bernstein was an American composer (born in Lawrence, Massachusetts), pianist and conductor. He was the first conductor born in the United States of America to receive world-wide acclaim, and is known for both his conducting of the New York Philharmonic and his multiple compositions, including West Side Story and Candide.

Bernstein was born to a Jewish family from Rovno, Ukraine.   His father, Sam Bernstein, was  initially opposed to Bernstein's interest in music. Despite this, the elder Bernstein frequently took him to orchestra concerts. One time, Bernstein heard a piano performance and was immediately captivated; he subsequently began learning the piano at a young age.

He was highly regarded as a conductor, composer, pianist, and educator. All told, he wrote three symphonies, two operas, five musicals, and numerous other pieces. In 1958, Bernstein was named Music Director of the New York City Philharmonic Orchestra, a post he held until 1969. Bernstein married Felicia Montealegre, a Chilean actress, in 1951 and with her had three children.

Candide is a comic operetta, based on the novella of the same name by Voltaire. It has existed in many versions but is now generally performed with a book by Hugh Wheeler. The primary lyricist  was Richard Wilbur.  Candide is most famous for its colourful and varied score, many parts of which are very well known, especially in musical circles.

Romance in F
Soloist:Jane Bultz

Ludwig van Beethoven
(1770 - 1827)

Beethoven first studied in Bonn with his father, Johann a singer and instrumentalist and C.G. Neefe, court organist. At 11 he was able to deputise for Neefe and at 12 he had some music published. When he was 17 he went to Vienna but quickly returned on hearing his mother was dying.  Five years later he returned to Vienna where he settled. He pursued his studies with Haydn, Schenk, Albrechtsberger and Salieri.

Romance No 2 in F is the second of two Romances for violin and orchestra. Romance No 1 in G was published in December 1803 and the No 2 in F in May 1805. These two simple and charming works are sometimes considered to be mere trifles, but that is to do their lyricism and sound construction scant justice.  Both romances are  scored for strings, flutes, oboes, bassoons and horns. . In both romances the violin initiates both the refrain (varied at each reappearance) and the episodes.  The Romance in F with soloist Jane Bultz  we are performing this evening is more impassioned and dramatic and more adventurous in its use of the solo violin in the highest register. 

Pineapple Poll

Arthur S Sullivan
1842—1900

Sullivan was born in Lambeth, London. His father was a military bandmaster, and by the time Arthur had reached the age of 8, he was proficient with all the instruments in the band. Following a stay at private school in Bayswater, he was admitted to the choir of the Chapel Royal, attending its school  in Cheyne Walk. While there, he began to compose anthems and songs. In 1856, he received the first Mendelssohn prize and became a student at the Royal Academy of Music until 1858.

Then he travelled to Leipzig, where he continued his studies and took up conducting. His return to London in 1862 saw the production of his incidental music to Shakespeare's The Tempest performed at the Crystal Palace. He began building a reputation as Britain's premier composer, and 1866 saw the first performance of his Symphony in E Major. Other pieces from this period include  the oratorio The Prodigal Son (1869), the hymn “Onward, Christian Soldiers” (1872), and the song “The Lost Chord”(1877), written in sorrow at the death of his brother Fred .

In 1866, he wrote his first opera, Cox and Box. This led to his most famous and lucrative works as a composer for the musical theatre. In the spring of 1867, the work was reviewed by W. S. Gilbert on behalf of a humour magazine called Fun, unknowingly taking the first step in their eventual working relationship.

Pineapple Poll is a comic ballet, based on Gilbert's Bab Ballad  “The Bumboat Woman's Story” and set exclusively to music by Sullivan with a score arranged by Charles Mackerras.

Mackerras used music from most of the Gilbert and Sullivan operas, from Sullivan's overture “Di Ballo”, and from the comic opera Cox and Box (which Sullivan wrote with librettist F. C. Burnand). The authoritative Sullivan scholar Gervase Hughes said of it, in his 1959 book The Music of Arthur Sullivan, “Although the orchestration is disfigured by over-reliance on glissando harps and succulent counter-subjects for the horns, much of the music comes over well in its new guise, and the combination of a melody from the opening chorus of Patience with the second act quintet from The Gondoliers is quite brilliant.”

The ballet premiered in March, 1951, to coincide with the Festival of Britain. It caused an immediate sensation and remained in the Sadler's Wells repertoire for years to come.

Mackerras's arrangement weaves tunes from the Savoy Operas together brilliantly. The orchestration bounces from one tune to the next so quickly that the listener can scarcely keep up. “It's tuneful - It's fun - It's Sullivan!”

Symphony No. 5 in C minor
(Victory Symphony)

Ludwig van Beethoven
(1770 - 1827)

Beethoven sometimes known as ‘The Shakespeare of music’, reaching the heights and plumbing the depths of the human spirit  - ‘Tone poet’, to use the term by which he expressed his own ambition.

As stated earlier in these notes, Beethoven was taught by his father who was so keen for his son’s success that Beethoven was sometimes made to cry by his father’s bullying during lessons. His intensive musical training meant that his general education suffered and Beethoven later had problems with grammar and simple arithmetic.
During the course of his life a series of personal tragedies, his inability to maintain relationships (often due to his uncontrollable temper) and his gradual loss of hearing meant that he developed an increasingly individual style.

Beethoven held strong views on the equality of men, and avidly watched the changing political scene in Europe. While these ideals must be seen in the context of the disgraceful way he treated his servants and the impossible demands he put on his friends, they gave to his music a unique intensity. Beethoven’s genius was so great that his and future generations were prepared to accept his quirks of personality. Consequently when Beethoven died in 1827, his funeral was one of the most impressive ever seen in Vienna with over 20,000 people packed into the square and dignitaries arriving from all over Europe.

By the time he died at the age of fifty-seven, Beethoven had broken new musical ground, preparing the way for the Romantic and Modern composers in the hey-day of the Classical period.  Beethoven said “Strength is the morality of the man who stands our from the rest, and it is mine. His strength and individuality live on in his music
Beethoven’s nine symphonies are amongst his greatest works.

During Beethoven’s many bouts of depression he repeatedly visited the rural haven of Heiligenstadt.   It was during one of these visits in the summer of 1807 that he completed his 5th Symphony.

Beethoven’s 5th was nicknamed the “Victory Symphony” during the Second World War, when it was realised that the opening 4-note theme (short-short-short-long), was in rhythm, almost the same as the Morse signal ‘V’, so that this theme came to be used incessantly in broadcasting as a promise of ‘Victory’. The opening notes of Beethoven’s 5th are probably the most well known phrase in the whole of classical music and they have also been made even more famous by the Electric Light Orchestra in their introduction to the rock classic “Roll Over Beethoven”. The defiant and exultant mood of this piece has been linked to Beethoven’s defiance of his growing deafness.  In a letter to his friend Wegeler, several years later Beethoven wrote of his struggle “No, I cannot ignore it. I will seize fate by the throat. It will not wholly conquer me! Oh, how beautiful it is to live and live a thousand times over.

The 5th Symphony is an embodiment of his exultation in the face of adversity.

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