Sullivan was born in Lambeth, London. His father was a military bandmaster, and by the time Arthur had reached the age of 8, he was proficient with all the instruments in the band. Following a stay at private school in Bayswater, he was admitted to the choir of the Chapel Royal, attending its school in Cheyne Walk. While there, he began to compose anthems and songs. In 1856, he received the first Mendelssohn prize and became a student at the Royal Academy of Music until 1858.
Then he travelled to Leipzig, where he continued his studies and took up conducting. His return to London in 1862 saw the production of his incidental music to Shakespeare's The Tempest performed at the Crystal Palace. He began building a reputation as Britain's premier composer, and 1866 saw the first performance of his Symphony in E Major. Other pieces from this period include the oratorio The Prodigal Son (1869), the hymn “Onward, Christian Soldiers” (1872), and the song “The Lost Chord”(1877), written in sorrow at the death of his brother Fred .
In 1866, he wrote his first opera, Cox and Box. This led to his most famous and lucrative works as a composer for the musical theatre. In the spring of 1867, the work was reviewed by W. S. Gilbert on behalf of a humour magazine called Fun, unknowingly taking the first step in their eventual working relationship.
Pineapple Poll is a comic ballet, based on Gilbert's Bab Ballad “The Bumboat Woman's Story” and set exclusively to music by Sullivan with a score arranged by Charles Mackerras.
Mackerras used music from most of the Gilbert and Sullivan operas, from Sullivan's overture “Di Ballo”, and from the comic opera Cox and Box (which Sullivan wrote with librettist F. C. Burnand). The authoritative Sullivan scholar Gervase Hughes said of it, in his 1959 book The Music of Arthur Sullivan, “Although the orchestration is disfigured by over-reliance on glissando harps and succulent counter-subjects for the horns, much of the music comes over well in its new guise, and the combination of a melody from the opening chorus of Patience with the second act quintet from The Gondoliers is quite brilliant.”
The ballet premiered in March, 1951, to coincide with the Festival of Britain. It caused an immediate sensation and remained in the Sadler's Wells repertoire for years to come.
Mackerras's arrangement weaves tunes from the Savoy Operas together brilliantly. The orchestration bounces from one tune to the next so quickly that the listener can scarcely keep up. “It's tuneful - It's fun - It's Sullivan!”
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